{"id":6872,"date":"2013-11-30T13:00:01","date_gmt":"2013-11-30T18:00:01","guid":{"rendered":"http:\/\/m.ammoth.us\/blog\/?p=6872"},"modified":"2013-11-30T13:52:23","modified_gmt":"2013-11-30T18:52:23","slug":"hyper-reality-a-new-vision-of-the-future","status":"publish","type":"post","link":"http:\/\/m.ammoth.us\/blog\/2013\/11\/hyper-reality-a-new-vision-of-the-future\/","title":{"rendered":"hyper-reality: a new vision of the future"},"content":{"rendered":"

Long-time readers of mammoth<\/em> may recall our excitement at Keiichi Matsuda’s short films Domestic Robocop<\/a> and Augmented City<\/a>, both of which present believable near-future visions of a world in which “synthetic spaces created by the digital information that we collect, consume and organise” supersede “the physical space of buildings and landscape”, while at the same time subtly critiquing the potentially dystopian character of this future.<\/p>\n

Matsuda recently launched a Kickstarter<\/a> to fund the production of a new set of films set in a similar future, swapping out London for Medellin. (I mention that swap because I think it’s a fantastic choice, given the socioeconomic, cultural, and architectural environment of Medellin.) Based on his earlier work, I think we can trust Matsuda when he says that “it will be an ambitious new vision of the future; instead of jetpacks, flying cars and robots, think smart cities, super-social media, and ubiquitous augmented reality. It will be a science fiction short for our time; introspective, critical, and beautifully designed.”<\/p>\n

But if you won’t take my word for it, check out Matsuda’s launch video<\/a>:<\/p>\n