{"id":169,"date":"2014-03-06T20:14:22","date_gmt":"2014-03-06T20:14:22","guid":{"rendered":"http:\/\/m.ammoth.us\/representation\/?p=169"},"modified":"2014-03-06T20:24:31","modified_gmt":"2014-03-06T20:24:31","slug":"antidotes","status":"publish","type":"post","link":"http:\/\/m.ammoth.us\/representation\/2014\/03\/06\/antidotes\/","title":{"rendered":"Antidotes"},"content":{"rendered":"<p style=\"padding-left: 30px;\">&#8220;Designers have embraced the film and game industry\u2019s digital tools for creating ultra-real landscape images but neglect the rich sources of abstraction\u00a0and phenomenological experience of landscape manifest in late\u00a0twentieth and recent contemporary art.&#8221;<\/p>\n<p style=\"padding-left: 30px;\">Katie Kingery-Page and Howard Hahn, &#8220;The aesthetics of digital representation: realism, abstraction, and kitsch&#8221;, <em>Journal of Landscape Architecture<\/em> (2012)<\/p>\n<p>A small set of sources for antidotes to the neglect that Kingery-Page and Hahn identify:<\/p>\n<p>+ A <a href=\"http:\/\/bldgblog.blogspot.com\/2013\/08\/lightning-farm.html\">project by Farah Aliza Badaruddin<\/a> at the Bartlett School of Architecture, featured on <em>BLDGBLOG<\/em>.<\/p>\n<p>+ <a href=\"http:\/\/cloudwatching.net\/\">Cloudz Watching<\/a> is a tumblr of current architecture student work, primarily American and with an emphasis on the Midwest. Often cheeky.<\/p>\n<p>+ <a href=\"http:\/\/butdoesitfloat.com\/\">But Does It Float<\/a> is a visual catalog of contemporary art, often landscape-themed.<\/p>\n<p>+ The <a href=\"http:\/\/www.presidentsmedals.com\/\">President&#8217;s Medals Student Awards<\/a> are the Royal Institute of British Architects&#8217; annual awards for student work; while these are architectural awards, not landscape awards, the quality of the representations featured is typically very high and the student work often features a landscape sensibility.<\/p>\n<p>+ The <a href=\"http:\/\/www.luiscallejas.com\/\">work of Luis Callejas<\/a>, including the recently-released <em><a href=\"http:\/\/www.luiscallejas.com\/Pamphlet-Architecture-33\">Pamphlet Architecture 33: Islands and Atolls<\/a><\/em>. Before founding his own office, LCLA, Callejas was formerly one of the leaders of Paisajes Emergentes.<\/p>\n<p>+ <a href=\"http:\/\/new-aesthetic.tumblr.com\/archive\">The New Aesthetic<\/a> and <a href=\"http:\/\/glitchnews.tumblr.com\/\">Glitch News<\/a>, two tumblrs documenting \u00a0<a href=\"http:\/\/new-aesthetic.tumblr.com\/post\/20170373616\/untitled-by-skeleton-mount-credit-unknown\">abstracted<\/a> and erroneous overlaps between the digital and the physical. Read more about the<a href=\"http:\/\/www.wired.com\/beyond_the_beyond\/2012\/04\/an-essay-on-the-new-aesthetic\/\"> conceptual underpinnings of the New Aesthetic at <em>Wired<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Designers have embraced the film and game industry\u2019s digital tools for creating ultra-real landscape images but neglect the rich sources of abstraction\u00a0and phenomenological experience of landscape manifest in late\u00a0twentieth and recent contemporary art.&#8221; Katie Kingery-Page and Howard Hahn, &#8220;The aesthetics of digital representation: realism, abstraction, and kitsch&#8221;, Journal of Landscape Architecture (2012) A small set [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[21],"tags":[],"class_list":["post-169","post","type-post","status-publish","format-standard","hentry","category-representations"],"_links":{"self":[{"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/posts\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/comments?post=169"}],"version-history":[{"count":3,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/posts\/169\/revisions"}],"predecessor-version":[{"id":172,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/posts\/169\/revisions\/172"}],"wp:attachment":[{"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/media?parent=169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/categories?post=169"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/m.ammoth.us\/representation\/wp-json\/wp\/v2\/tags?post=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}