— Digital Landscape Representation

Archive
January, 2014 Monthly archive

Term Proposal Instructions
Develop a substantive and challenging plan of study for the semester. Your work must explore the capacity of digital representation to serve a generative role in the design process — that is, to participate in the development of a landscape design, and not serve merely as a tool for the illustration of a completed concept. You are encouraged to explore hybrid workflows, moving between various digital tools to exploit varying capacities and even working between analog and digital media.

Proposals are due via email Wednesday, January 29 by 8 pm.

1. Description

Briefly (<250 words) describe the topics that you will tackle in this study.

Recommended for consideration: analog-digital hybridity, including remote sensing, balloon aerial mapping, hybrid digital-physical modeling, 3d scanning, 3d printing, laser cutting, and drone image capture; modeling; simulation; animation; data visualization and spatialization; landscape change, including spatial and temporal; parametricism

Resources:
Abrams and Hall, Else/Where: Mapping New Cartographies of Networks and Territories
Amoroso, Representing Landscape
Bourquin, Ehmann, Klanten and van Heerden, Data Flow: Visualizing Information in Graphic Design
Bourquin, Ehmann, Klanten and Tissot, Data Flow 2: Visualizing Information in Graphic Design
Cantrell, Cropp, et al., Fort Proctor http://vimeo.com/channels/392545
Cantrell and Yates, Modeling the Environment
Davis, “Landscapes and Instruments”, Landscape Journal
GSD Course Bulletins (look for “VIS” courses) http://www.gsd.harvard.edu/cgi-bin/courses/index.cgi?term=201340&dept=L
Landscape Morphologies Lab http://lmlab.org/
Public Lab http://publiclab.org/
Radical Cartography http://radicalcartography.net
Reactscape http://reactscape.visual-logic.com/
Siteations http://the-distopians.com/siteations/
Tufte, The Visual Display of Quantitative Information
Visual Logic http://www.visual-logic.com/

2. Phases of Work
Describe between 3 and 5 distinct phases of work, building in complexity as your skills grow throughout the semester.

a. Study Objectives
What new skills do you intend to develop through this phase of work?

What representational methods and techniques will you explore? Be specific.

b. Workflow

Describe your proposed workflow, recognizing that it may evolve as your understanding of tools and techniques evolves.

What programs will you use?

Recommended for consideration: 3ds Max, Rhino (including scripting programs such as Grasshopper and RhinoScript), Processing, ArcGIS, or more specialized modeling software (Matlab, TAS 2d Ambiens, IESVE). Workflows can and should incorporate more basic programs such as AutoCAD and Adobe CS, but should not be limited to those programs. You will have to be very convincing if you want to use Sketchup.

Will you work purely in digital media, or will you hybridize digital and physical methodologies?

c. Products
What will you produce in this phase of work? Describe the representation(s).

d. Readings & Resources
What will you read to advance your understanding, both theoretical and technical, of your study topics?

What software and/or hardware will you need to acquire to complete your plan of study?

What resources, such as tutorials, will you rely upon to build your understanding of the technical skills required for your study?

3. Schedule
Indicate when you will begin each phase of work, when you will finish each phase of work, and what specific tasks you intend to accomplish during each week.

You must present at least one completed product at each course critique date (3.20 and 5.1).

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LAR 5304G Digital Landscape Representation II: Static, Dynamic
Assignment 01: Network Plan

Description
This assignment is aimed at producing a particular kind of orthographic plan for your study territories, focused on establishing first objects, fields, corridors and borders of significance and second networks of relations between those objects and fields as defined by exchanges of matter and energy, modulated by borders and transmitted along corridors. In other words: metabolism, spatialized.

Methodology
The drawings produced for this assignment should combine the traditional cartographic functions of standard orthographic maps — delineating objects, fields, corridors, and borders, with linework, fills, hatches, and labels — with the directional records of exchanges of matter and energy utilized in practices of systems diagramming. Unlike the traditional orthographic map, these drawings should record movement, recognizing that landscapes are not static; unlike systems diagrams, these drawings should be spatialized, recognizing the role of corridors and borders in organizing metabolism.

The Odum reading is recommended as an introduction to the aims and methods of system diagramming.

Study Projects
Students will select from one of five proposed but incomplete restoration engineering projects administered by Louisiana’s Coastal Restoration and Protection Authority in the Mississippi River delta:

> Diversion at Myrtle Grove
> Sand Mining at Scofield Island
> Sediment Delivery System at Bayou Dupont
> Siphon at Maurepas Swamp
> Terracing at Bayou Bienvenue

J.B. Jackson once defined landscape as a “synthetic space”, stating that landscapes are territories constructed by “speeding up and slowing down the processes of nature”. Each of these projects utilizes engineered landscape prosthetics to construct synthetic space; in these prosthetic landscapes, environmental processes and machinic elements collaborate and become co-dependent. Consequently, they are excellent sites for experiments in the representation of constructed landscape objects, engineered landscape processes, and background environmental conditions.

Workflow
Students will export scaled satellite aerials as raster files from ArcGIS, overlay engineering drawings at scale on those aerial images in Photoshop, place base plans at scale in AutoCAD, create line work in AutoCAD, export linework to Illustrator, refine graphics and add color in Illustrator, and add annotations and labels in Illustrator.

Deliverables
1 Network Plan: an Illustrator file containing a single orthographic plan drawing.
> Identify important constituent parts of the study territory; depending on the study territory, these parts might be patterns of ownership, identifiable ecological conditions, infrastructures, settlements, water bodies, topographic features, and so on. These parts should be clearly labeled.
> Identify important movements of matter and energy within the study territory as well as into and out of the study territory. While it would be ideal to be able to quantify the scale of these flows, and you are encouraged to do so if data is available that permits this in either an absolute or relative fashion, it is not required. These movements should be identified and sorted in some fashion, such as by kind of material.
> A line-and-field drawing, utilizing distinctions in line weight, hatches, symbols, and fields of color as the primary means of delineating landscape conditions.
> Additive rather than subtractive or blanket use of aerial textures: this drawing should not use the base plan as a full-bleed background, but may judiciously utilize cropped components of the base plan or produced Photoshop textures to highlight key landscape elements.
> As a hybrid technical-illustrative drawing, this drawing should include both technical annotations such as measurements, spot elevations, contours, and underlying geometries and illustrative annotations such place names and descriptive labels.

Sources
Throughout every assignment for this course, you are expected to demonstrate good sourcing practices, for all visual, written, and intermediate products. This means both tracking your sources as you research and properly sourcing on all presented products. Sources should be clearly attributed directly on drawings.

Schedule
01 Th 1.23 Network Plan
Receive: Assignment 1: Plan

02 Th 1.30 Network Plan
Discuss plans.

08 Th 3.20 Critique
Covering Assignments 1, 2, and 3.

References
Systems Diagramming
Odum, Howard. “Systems, Networks, and Metabolism” in Environment, Power, and Society for the Twenty-First Century. 13-31.

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LAR 5304G Digital Landscape Representation I: Drawing, Cartography, and Notation
Assignment 01: Plan

Description
In this assignment, students will first construct a large-scale orthographic base map and then zoom in to produce a detail plan showing an engineered object (or set of engineered objects) within a larger landscape. Students will learn fundamental operations in AutoCAD, Photoshop, and Illustrator.

Study Projects
Students will select from one of five proposed but incomplete restoration engineering projects administered by Louisiana’s Coastal Restoration and Protection Authority in the Mississippi River delta:

> Diversion at Myrtle Grove
> Sand Mining at Scofield Island
> Sediment Delivery System at Bayou Dupont
> Siphon at Maurepas Swamp
> Terracing at Bayou Bienvenue

J.B. Jackson once defined landscape as a “synthetic space”, stating that landscapes are territories constructed by “speeding up and slowing down the processes of nature”. Each of these projects utilizes engineered landscape prosthetics to construct synthetic space; in these prosthetic landscapes, environmental processes and machinic elements collaborate and become co-dependent. Consequently, they are excellent sites for experiments in the representation of constructed landscape objects, engineered landscape processes, and background environmental conditions.

Workflow
Students will export scaled satellite aerials as raster files from ArcGIS, overlay engineering drawings at scale on those aerial images in Photoshop, place base plans at scale in AutoCAD, create line work in AutoCAD, export linework to Illustrator, refine graphics and add color in Illustrator, and add annotations and labels in Illustrator.

Deliverables
1 Base Plan: a Photoshop file overlaying engineering drawings at scale on an aerial image exported from ArcGIS
2 Detail Plan: an Illustrator file focusing on an engineered object (or set of engineered objects) key to the operations of the study project
> A line-and-field drawing, utilizing distinctions in line weight, hatches, symbols, and fields of color as the primary means of delineating landscape conditions.
> Additive rather than subtractive or blanket use of aerial textures: this drawing should not use the base plan as a full-bleed background, but may judiciously utilize cropped components of the base plan or produced Photoshop textures to highlight key landscape elements.
> As a hybrid technical-illustrative drawing, this drawing should include both technical annotations such as measurements, spot elevations, contours, and underlying geometries and illustrative annotations such place names and descriptive labels.

Sources
Throughout every assignment for this course, you are expected to demonstrate good sourcing practices, for all visual, written, and intermediate products. This means both tracking your sources as you research and properly sourcing on all presented products. Sources should be clearly attributed directly on drawings.

Schedule
01         M         1.20      MLK Day (no classes)
T          1.21      Classes Begin
Th         1.23      Base Plan
Receive: Assignment 1: Plan

02         Th         1.30      Conversion

03         Th         2.6        Exercise: Axonometric Overview

04         Th         2.13      Detail Plan

08         Th         3.20      CRITIQUE
                                    Covering Assignments 1, 2, and 3.

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